One of the crucial scenes being Veer’s first bout with the ghost is captured so dull that it lays a poor base for the rest of the film. Director, Tinu Suresh Desai’s camera work has a serious lack of innovation. Dark lit humongous mansions are such a cliche. The lighting for most part of the film remains the same. Other than a few really bad scenes, it is a relief that for most of the time, he is shown to be lying on bed ageing day by day! Vishal Karwal is the husband whose body has been possessed. After Hate Story 3, this is another terrible choice for an actor like him. Sharman Joshi seriously needs to review the choice of his films. Her efforts to emote can be seen in each frame. Meera Chopra’s weak performance further pulls down this film. Several scenes are left incomplete, like when the possessed body leaves the hospital walking on its hands, how do they take it home in a normal condition. The ghost mere laughs but that too being so artificial, we hardly even get startled by it. What’s the worst thing in this film is that, there is absolutely no interaction between the possessed soul and those living surrounding it. Logic is kept aside and hence the India-London travel is mere teleportation from one place to another. The typical concepts of a black cat crossing, the use of Gangaajal etc are sold under the impression of scaring you. How does a dialogue related to Mahabharat and Ramayana make its way into such a film? Its like every villain has to be a Raavan.īlack magic is a done to death topic. Probably they should have taken Adhyayan Suman’s detailed story to dig more into black magic events happening in the city. Its as if cities never experience any haunted events. Rajasthan has become one of the most favorite places for Bollywood’s horror setting. In fact I would say, the dialogues were way creepier that what we were subjected to on a visual front. It is unruly for them to just put a love story, heartbreak and then marital bliss as a part of it. Meera Chopra and Sharman Joshi in a still from movie ‘1920 London’ 1920 London Review: Script AnalysisĬan someone tell filmmakers that even horror movies need a script. Will Jai be able to save Veer from his deteriorating condition? Will the Daayan leave Veer’s body is what lies ahead. Initially being resistant to Shivangi’s Request, Jai gives in and decides to help her. When a local mantrik fails to help her, she is told that only one person can and that is her ex-boyfriend Jai (Sharman Joshi). The royal necklace has been put under a spell of the black magic and soon possesses Veer’s body.Ī scared Shivangi returns home to a seek help. Everything is hunky dory in their lives until a gift from their hometown makes its way into their home. The princess is married to a prince named Veer (Vishal Karwal) and the duo stay in London. Shivangi (Meera Chopra) comes from a Rajasthani royal family.
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